A review of the graphic novel “Arkham Asylum: Living Hell”

This is one glorious fever dream of a graphic novel from DC, one of their hits from 2003.

It tells the story of Warren White, a super- rich fraudster and embezzler who makes the mistake of pleading insanity in Gotham at his trial in the hope of a cushy sentence.   It doesn’t, it gets him committed to Arkham.   Here he finds himself in an infernal carnival of the criminally insane. Nothing is what it seems.  And Hell itself will shortly come calling…

Writer Dan Slott gives us a multi layered narrative who different threads interweave in a truly narrative fashion.  It has moments of genuine, creep you out horror, pathos, and very dark humour.  It’s an example of how the DC Universe can be more fantastical and lurid than its Marvel counterpart.  DC really pushed the limits of the comic book frame in what we can imaginatively accept without the whole thing becoming too absurd for even the most ardent comic fan.  It’s one reason why DC struggles more to make their stuff work on the big screen.

It’s great to see old favourites here, the Joker, Riddler, Poison Ivy, and more, as well as the beginnings of a new creature, “The Shark,” and those we know less about e.g. Humpty, Jane Doe.

Batman and Batgirl are on the margins here, with most of the heroics being dished out by weary Prison Guard Mr Cash.  He’s an intriguing character; cynical, maimed and almost defeated, it’s when things are at their most dangerous and bleakest that he truly finds his strength.  And this is a blueprint for the heroics in all of us.

Ryan Sook and Lee Loughbridge are penciller and colourist respectively, with the inkers being Wade Von Grawbadger and Jim Royal. Together they create a dark and murky world of dark tones and lurid hues where black, green and of course red predominate.  Frames tell the story at a rapid rate and you are left feeling that there is always a horror you have missed, something nasty glimpsed by the corner of your eye.

Mike Heisler’s lettering has some interesting variations including gothic script for he more infernal creations, and a storybook type for Humpty’s tale.

If you like DC tales that focus on the Super Villains, then you’ll love this.

 

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